Christmas
at 2Co's 2Co's Cabaret
Holiday
Hoopla XII Shadowbox Cabaret
Rick
Brown After witnessing these wonderful
holiday shows on consecutive weekends
and in light of the fact there is always
a ying to the other troupe's yang in most of these multi-talented performers presentations
there is in no way I can do singular reviews. "Christmas at 2Co's"
and "Holiday Hoopla XII" parallel each other in so many delightful ways
that it's almost a mirrored experience. The assertive blues/rock songs
by Shadowbox's BillWho? are a brilliant compliment to the understated yet equally
grounded house band Downtown DFN from 2Co's. And vice versa. At 2Co's the audience
is charmed by the Springsteen-esque "Santa Claus is Coming to Town"
fronted by Joseph J. Lorenzo early in the show, followed aptly by Emerson, Lake
and Palmer's "I Believe in Father Christmas" sung and interpreted wonderfully
by Michael Duggan Opening the 2nd half of "Christmas at 2Co's" is a
playful rendition of Jetrho Tull's ""Skating Away" by Tom Cardinal.
BillWho? begins "Hoopla" with a beautiful "Seasons" sung
by bassist/bandleader Gabe Guyer. Minutes later his father Steve takes center
stage to belt out an outstanding original number called "The Old Man".
(Get it?) Too cool. Not to be outdone, Downtown DFN proves its mettle with their
2Co's original "Best Christmas Gift". Both are excellent additions to
their respective celebrations. And 2Co's J.T. Walker's smooth rendition of "Man
w/the Bag"
along with his casual top hat gymnastics
would have
most certainly made Maurice Chevalier smile
and perhaps dance along. Shadowbox's
counterpoint to Walker's implied soft shoe is a deliciously soulful, James Brown
inspired performance of a tune titled "Sock it to Me Santa" sung by
blue eyed soul man Adam Fouth. GOOD GAWD!!!! And both shows share some
of the same holiday tunes. Natalie Merchant's "Children Go Where I Send Thee",
Sting's "Hounds of Winter" and Etta James' "Merry Christmas Baby"
are presented dynamically in each context. I especially enjoyed Carrie Lynn McDonald
(at 2Co's
now sung there by Kori Billiot
I'm sure just as well) and
Jennifer Hahn (Shadowbox) on the Etta James' tune. Both women gave such smoldering,
sultry interpretations I was worried I might burst into flames. And I gladly would
have become a human Yule log had that happened. Shadowbox even presents a small
"choir" of Julie Klein, Stephanie Shull, Katy Psenicka and Jennifer
Hahn doing a moving a cappella version of the classic "Silent Night"
And that's just the music! Following the parallels each show begins
with a bawdy monologue. At 2Co's Joseph Lorenzo's reading of an adaptation of
David Sedaris' Dinah the Christmas Whore" is not merely outlandishly funny
but poignant in it's condemnation of class distinctions. While Pam Callahan's
interpretation of an anonymous piece "Christmas with Louise" may not
have the social commentary, the story of a typical family celebrating a typical
Christmas dinner while an inflatable love doll named Louise hangs over the hearth
in the living room is side- splitting fun. Only an actor with Callahan's talent
could make such a visual enigma so sinfully endearing.
clockwise from
the top are Jennifer Hahn, Katy Psenicka, Julie Klein, and Stephanie Shull
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Cyborg Theory
David
G. Hochman I
like to think Im no conspiracy nut. Having said that, Ive read the usual
headlines in the tabloids. Some say, for example, that Osama, Saddam and Elvis
are cohabitating together in some cave in Afghanistan. I dont know. Its
hard to imagine. Is Elvis playing Jailhouse Rock while Osama sways the turban
and Saddam shakes his head until his oversized glasses fall off? Maybe. Still,
other reports say all three are one and the same man. That seems a bit farfetched,
as far as Im concerned. continued...
Dude,
Where's My Country? By Michael Moore Reviewed
by Rebecca Watts Michael
Moore's "Dude, Where's My Country" proves once again that he is willing
to be the voice for the unheard liberal masses. Mr. Moore raises some important
questions while at the same time brings to light some disturbing information concerning
the present White House Administration. Although peppered with humor and sarcasm,
I certainly was not feeling happy, warm OR fuzzy, as I turned the last page. Instead,
I finished the book with a sense of alarm as to what the state of this nation
will be if George W. Bush remains in office for four more years. The
book begins with a list of questions from the author to George W. Bush, or "George
of Arabia" as Mr. Moore refers to him. The questions are, in effect, allegations
concerning the Bush family ties to the Saudi's, including the Saudi royal family,
and the Bin Ladens. These allegations are well documented and paint a disturbing
picture of an alliance between our Commander in Chief and those responsible for
the attacks on the United States on September 11, 2001. This is just the tip of
the iceberg. The book covers everything from the Corporate War on the U.S., which
is resulting in the "wholesale destruction of our economic future,"
to ineffectiveness of the Bush Tax cut. Even Jesus W. Christ writes a chapter,
to air his complaints about George W. deeming himself His personal messenger.
Who knew Jesus could be this funny? And
this book is funny; there's a chapter on "How to talk to your Conservative
Brother-in-Law," which is both humorous and most helpful for the upcoming
holiday season! There's a chapter on what the author is going to do with his tax
cut. He say's, "George, I'm going to spend it all to get rid of you! That's
right, Every last dime from my tax cut is going to trickle down on your pointy
little head in the hopes that, come election night, you will join the ranks of
the unemployed and be sent packing back to the ranch." He goes on to tell
Mr. Bush, "I hope you understand that none of this is personal and that I
am still grateful to you for giving me this gift. It will be money well spent."
In today's political and socio-economical climate, it is difficult for the average
American to remain politically aware. Many Americans are too busy working two
or three jobs just to get by, so those folks don't have time to sit down and do
the research that Mr. Moore has so graciously done for us. These are the people
who most need to be aware, because these are the people being hurt the most by
the "powers-that-be" in Washington. Mr. Moore's message is clear: Regime
Change. His final chapter is dedicated to how we can do this. His idea to run
Oprah against Bush is hilarious, even though he's not really trying to be funny
here. He has a point, who else is a sure shot to beat Bush? We know it won't be
Al Sharpton or Dennis Kucinich. And he does make a nice pitch for Gen. Wesley
Clark. Most importantly, he wants to get people involved in the process, to have
a dialog about issues, and to get people out to vote for someone who can do a
better job for the average American, rather than the average Billionaire. Everyone
in America should read this book. Agree or disagree with Michael Moore's methods,
(how dare someone talk politics at the Oscars??!!) he enlightens the average citizen,
most simply by gathering the information we need to be informed voters. And agree
or disagree with his conclusions or opinions, it is the information presented
that makes this book essential reading.
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A
Thing About Lyle Yvonne Brown Those
who know me or follow my top 5 picks have noticed I have a thing about Lyle. Lyle
Lovett that is. Of course when I tell a co-worker, the first comment is often
" I didn't know you liked country music!" or "He is that guy with
weird hair isn't he?". I just smile and realize they have never seen Lyle.
A
friend took us to see Lyle the first time in Oct. of 1991 at the OSU Ohio Union
Ballroom, an intimate space that seats maybe 300. He had just a small group including
a cello player named John Hagen. They all had on suits, which has been the standard
for the band every time I have seen him. But it was his dry sense of humor and
easy- going attitude that I really noticed. I have seen him on most of his trips
to Columbus and on occasional late night talk show appearances and always enjoy
this about him. I also like that his music cannot be limited to any one category.
Lyle's influences include jazz, rock, folk and Texas swing as well as country.
Although he reminds you often that he is from Texas, he is not what I would consider
simply a country singer. This
time thru Columbus he played at the Ohio Theatre on November 2nd. He has a new
CD out and is touring with a rather large band, but not the entire Large Band
he often travels with. His band did include his long time band mate, John the
cello player. At different times throughout the show, each of the 9 band members
got to show off their talent with a solo. I had never seen some of them play with
Lyle before, but they all displayed a great deal of talent, especially while improvising.
They played quite a few songs from the new CD "My Baby Don't Tolerate",
starting with "Cute as a Bug". I realized right away that he has gotten
quite a loyal following, with many of the audience singing along with their favorite
songs. The music review from the Cleveland Plain Dealer called his followers "Lylephiles"
which confirms he has fans all over. He also pleased the crowd with some older
favorites, including those I always enjoy, "If I Had a Boat ", "If
I Were the Man You Wanted" and "Nobody Knows Me". It
was also good to see that Lyle's leg, which was shattered a few years ago while
defending his uncle from a bull on the ranch, was much better. It allowed him
to stand for the show, which gave it a much different feel than when he had to
sit for the shows on one tour. He seemed more relaxed and inserted more humorous
tales between songs. One of my favorites from the new CD is "You Were Always
There", written and performed with his bass player Viktor Krauss. His band
this time did not include the back up singers he often has for his more gospel
inspired tunes. Instead he has been having local gospel choirs back him up for
a few songs at the end of the show. He remarked that having been raised a Lutheran,
this was much different than his church music experience and I can relate to that.
His song "Church" shows he definitely enjoys the gospel genre and it
was an uplifting end to another long and enjoyable Lyle show. Oh yes, I still
have a thing about Lyle.
Click Image for a
Poem by Michelle Drobik
Holiday
Cheer from Aunt Edith
Rick Brown My
late Uncle Wes lived with my Aunt Edith for most of his adult life...although
I'm sure it seemed like an eternity to him. He worked for the Bethlehem Steel
Company in Baltimore for thirty years until he retired. He worked the night shift
getting off around 7 a.m. when he would come home for dinner. In the summer when
it was warm...and Baltimore can get very, very humid...he would go to a movie
matinee in an air conditioned theater and sleep. If you knew my Aunt Edith you
would assume what I did...even as a child...and that was that Uncle Wes worked
nights and went to matinees to get away from his wife. He never said much. He
was a slight, wiry man of few words. And the few words he almost always uttered
were, "For Chrissakes Edith! SHUDD UPP!!"
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Also,
each performance presents a Dave Barry monologue. At 2Co Mr. Matthew Hahn is amazing
as a dorky public access TV host in "And to All a Good Fa La La". Hahn's
charm and warmth amplify the hilarious diatribe about the genuine silliness of
some Christmas carols held in respectful esteem
even if they make no sense
whatsoever. Likewise is Gabe Guyer's take on Barry's "Nothing Says Festive
"
a wonderful lecture on men's attitudes concerning the foibles of gift wrapping
presents. Something that rings so true is usually funny. But Geyer has the ability
to somehow make it sound like he's talking about you
or a man you know all
too well. "Kids-mas
Carol" (written by the Shadowbox Cabaret Comedy Team) is a not so innocent
portrayal of an elementary school performing Dicken"s "A Christmas Carol"
complete with all the mishaps of children doing what doesn't come naturally
doing
rehearsed things when they're supposed to be done. Both cabarets are extremely
adept at acting like children. And this skit is no exception
as is another
original skit titled "Vinnie's Christmas Special" starring the childlike
genius of Jimmy Mak as a mafia figure with a kids TV show. 2Co's
has a fondness for the works of Charles Bukowski and this show is no exception.
Chris (affectionately known as Creesto) Lynch's recitation of "Death of a
Snowman"
as usual
was very entertaining. And I have to mention
another 2Co monologue by the riveting Christina Conner. Her reading of Ralph Alfonso's
"Angels Stop for Flowers in Elora" was serene yet sensual. Ms. Conner
continues to grow as both an actor and singer. She has the natural ability to
command an audience's attention
seemingly effortlessly. The
climax of both "Holiday Hoopla" and "Christmas at 2Co's" is
"Santa Babies" and it's parody "Christmas Queenies". "Babies"
has been a tradition with Shadowbox since the first "Hoopla", this time
starring Julie Klein as Dixie, Stephanie Shull as Dorothy, Katy Psenicka as Darlin,
and Jennifer Tarry (Hahn?) as Daphne on keyboard. The skit is a sort of rave up
of lounge singing bimbos with a humorously indecent bent. Ms. Klein is the leader
of the girls and all three sing and dance up an uproarious act that the audience
adores. It is so over the top in its' traditional burlesque/vaudeville approach
it's almost an instant classic. Katy Psenicka in particular has the amazing talent
to play a dumb blond while keeping it obvious she is far from one. She is wonderfully
gifted at physical comedy. I've heard people who know
when speaking of Lucille
Ball
that she had the incredible ability to do physical comedy
take
a pie in the face
do a pratfall
whatever
.and still keep her integrity
with a sense of grace. Her beauty was never diminished by a slapstick performance.
And I believe this to be true of Ms. Psenicka. While Klein sang a tune from the
Broadway musical "Cats" (with new Christmas lyrics) Psenick laid on
the stage doing an imitation of a cat cleaning herself with her tongue that was
sensual
absurd
and gut wrenchingly hilarious! In
direct correlation to their female counterparts, 2Co's "Christmas Queenies"
are introduced as the low budget version of the "Babies". Tom Cardinal
plays Dixie, Chris Lynch is Darling, Joe Lorenzo is Dorito, and Ko Cha Ta is the
accordion playing Hans Fritzenberg
all dressed in drag in remarkably similar
dresses as the Santa Babies". These guys actually out camp the "Babies"
campiness. How could they not with their prancing and singing and flashing and
general surreal goofiness
with accordion accompaniment? And Joe Lorenzo appears
a little too confident in his 4-inch high heels. It's a delightful romp of absurdness
I could go on. There is
plenty more I could write about these two glorious holiday extravaganzas. But
what makes both 2Co's and Shadowbox Cabarets special is the people themselves.
I feel at home at either venue
and I think a lot of other folks do also.
These people are friendly and gracious. They work hard. They are as dedicated
as anyone I've ever witnessed. And they do whatever it takes to entertain an audience
to
get them to laugh
to forget about the world and it's problems
if only
for a few hours. I think they really care. I really do. And that's what the holiday
season is all about
or should be. www.shadowboxcabaret.com
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