My
January Mix
You have to use a little bit of magic to make the perfect mix
CD. It is an art form that is rarely perfected by anyone, yet
it is tried by almost everyone. In the not to distant past the
cassette tape was the only way for music enthusiasts to cut
and paste their favorite tracks together in order to make a
collage of sound that best represented where they were at during
that exact moment. Today we have iPods, MP3 players, mini discs,
and CD burners at our disposal making it incredibly easy to
fit together the latest greatest songs into one eclectic masterpiece.
This month I give you my soundtrack. Although not perfection,
it does sound pretty damn good to me. Enjoy.
1. “The Pusher” –
Nina Simone from the album entitled It Is Finished. I purchased
a foreign bootleg double CD of Nina Simone’s records Emergency
Ward, It Is Finished, and Black Gold on eBay from a kind Canadian
and I’m very glad that I did. For whatever reason these
albums are only available on vinyl here in the States, which
is an injustice to every Simone fan. This live version of Steppenwolf’s
“The Pusher” is incredible. Performed with so much
feeling and emotion. Rivals Neil Young’s Needle and the
Damage Done as the song most likely to make you not want to
do hard drugs. Not that anybody needs any more reasons than
the obvious.
2. “My Mind Is Ramblin’”
– The Black Keys from the Junior Kimbrough tribute album
entitled Sunday Nights. The finest band to crawl out of Akron,
Ohio in ages. This seven-minute version of their hero’s
song is most outstanding. Dan Auerbach sings and plays with
passion that would make Mr. Kimbrough smile. Harmonizing his
vocals along with every gritty guitar note. Carney’s drumming
and production are always first class.
3. “Clean Up Before She Comes”
– Nirvana from the box set With The Lights Out. An unheard
until now gem from the 1990’s greatest band. I was obsessed
with their albums in high school and now I’m obsessed
with this box set. Kurt Cobain’s minimalistic guitar style
works great with his amazing ability to compose catchy, yet
raw musical arrangements. An excellent mix CD song, because
it sounds like someone recorded it yesterday in their bedroom
and put it on the mix to see if you’d notice their new
song. Amazing.
4. “Kingpin” –
Wilco from the album entitled Being There. Starts with just
vocals and an acoustic guitar, then explodes into a wall of
sound that includes a swampy funky keyboard, a steel guitar,
and bongos. From country twang to balls out rocking in a matter
of seconds. The more I here from this band the more I like.
Too bad they have become so hip that they are passé to
today’s hipster crowd. Oh well, hipsters suck anyways.
5. “Milk” – The
Kings of Leon from the album entitled Aha Shake Heartbreak.
Where as Wilco’s song began with just singer and guitar
this Kings of Leon song begins with psychedelic clouds that
drop into acoustic guitar and howling lyrics. Regardless of
the arrangements, both are extremely entertaining. Caleb Followill’s
singing is haunting, confusing, and intriguing all in one beautiful
swoop. Buy this record.
6. “12:15 Slow Goonbash Blues”
– Al Kooper with Shuggie Otis from the album entitled
Super Session Vol. 2. Another import CD and a gift from a close
friend from Japan. I’ll never understand why Shuggie Otis
turned down being a Rolling Stone and after listening to this
nine minute and thirty seconds of outstanding blues I’m
even more baffled. Otis could have joined the Stones right after
Brian Jones met his untimely and pointless death, but instead
he decided he wanted to do his own thing. His own thing ended
up being recording about one complete album and then quitting
the entertainment business entirely. Judging by his playing
on this track with Al Kooper what might have been with the Stones
could have possibly been better than anything they ever did
with Mick Taylor, which is to say some of the greatest rock
and roll albums ever could have been even greater!
7. “Red House” –
Mick Taylor from the album entitled Stranger in this Town. This
track proves that Mick Taylor was more than capable of handling
the position of guitarist in the Rolling Stones when the aforementioned
chain of events happened in 1969. Taylor’s slow blues
tribute to Jimi Hendrix is superb. Precise and inspired playing
that provokes chills.
8. “I’m So Glad”
– Widespread Panic with Tinsley Ellis recorded live at
PromoWest Pavilion in Columbus, Ohio on 7/8/2003. The only time
Widespread Panic has ever covered this traditional blues song
and hopefully not the last. Tinsley Ellis’ guitar work
pushes Panic’s George McConnell into overdrive. The basic
arrangement is similar to the one made famous by Cream, but
the dueling guitars of Ellis and McConnell mixed with Jojo Hermann’s
keyboard work gives this version a very unique feeling.
9. “32-20 Blues” –
Government Mule with Derek Trucks recorded live at Ludlow’s
in Columbus, Ohio on 3/14/1999. For the encore of this concert
Government Mule brought guitarist Derek Trucks onstage. About
thirty seconds before they began their finale a boisterous fan
yelled out “32-20” three times in succession. Thinking
this fan had the right idea The Mule and Trucks dove head first
into a wailing version of this Robert Johnson song. Warren Haynes
and Derek Trucks trade slide guitar licks and all is right with
the world.
10.
“Love is the Drug” - Roxy Music from the album entitled
Live. Some people swear up and down that Bryan Ferry is a genius;
all that I can tell you is that this song (and album) is one
you need to seek out. Although this version reminds me of the
Talking Heads, it is not because Roxy Music was ripping David
Byrne and company off it is merely because these two bands grew
out of the same place at the same time. Roxy Music may never
have reached the same plateau of success as the Talking Heads,
but this tune proves they were artistically on the same path.